#435

Le Monde d’Hermès SS1999 via MIES

@raquel_zimmermann

Fransworth house by Mies van der Rohe

Toteme.com

Bin Zhu wearing Hermès by Margiela, shot by Yahui Wang for MIES

MONTHLY MOODBOARD – Spring hasn’t been very gentle for us in Paris; not only the country has been shut down past six months, but the weather doesn’t seem to get warmer either. My ideal trans-seasonal wardrobe includes some facile Hermès by Margiela pieces to layer, but in reality I’m running around one week straight with same old vintage Levi’s and whatever cashmere sweater that goes with. Good news is, my stock is filling up again with those chic Hermès by Margiela pieces but they just aren’t for me to keep (unfortunately) – they’ll be available at MIES soon. If only I manage to let them go!

#430

Sweater Filippa K

Skirt Hermès by Martin Margiela

Like you all know at this point, I’m a huge fan of Hermès pieces designed by Martin Margiela and this skirt is no exception. Even after 20 years it’s in impeccable condition, and the design still feels very modern. Instead of logos, only the six-hole buttons shaping the thread into an almost invisible “H” revealing the origin, is something I really value as I always prefer my clothing to remain discreet.

#429

The Row fall/winter 2018

me / aventurine, quartz, tourmaline

Giorgio di Chirico – The Double Dream of Spring, 1915

Hermès fall/winter 1998

Le Corbusier – Bronze Maquette for ‘Open Hand’ Sculpture, 1960

In Paris we are once again in lockdown, which doesn’t raise the hopes for this pandemic being over soon. However, I’ll try to use this period again to be more creative, something I’ve been missing a lot in my daily life. And I think this is a great moment to open up my mental landscape a bit.

Right before the first quarantine a friend of mine gave me a clear crystal to support my meditation, and most importantly to find the meditative mindset at any moment during the day, which got me researching more about lithotherapy. I’m not yet able to express my thoughts about it, but I definitely catch myself being around the subject quite often. There’s something similar on how I perceive crystals and the way I look at art; I try to understand everything in the rational level but then at the end it’s up to us to give meanings to what we see and what we experience. I don’t know if it makes sense, maybe I’ll get to the subject later. Anyway, anything that can help us to regain focus, and achieve a mentally clear and emotionally calm state is something to hold on to during these weird times.

And I must take my words back when I said fashion doesn’t inspire me anymore. It does, I just got too numb constantly looking at all the beige instagram accounts, all looking the same. I got my hands on some vintage Le Monde d’Hermès magazines from Margiela era – my favorite collections in fashion that ever exist – and while going through them I constantly got goosebumps. The coats he designed for Hermès are one of the reason why I ended up founding MIES. The magazines will be online soon, if I’m ever able to let go of them – the most difficult part of sourcing vintage, but I’ll surely share some of my favorite pages here.

#208

mqrgielq disco ball

Maison Martin Margiela SS09

It’s time to wrap up 2017 and welcome 2018. I’ll rather start the new year fresh and rested, so tonight’s plans doesn’t include late partying or disco outfits. I would only wear sequins if they were from Margiela.

Speaking of, in March 2018 Palais Galleria in Paris will host an exhibition dedicated to Martin Margiela. After seeing the Hermes Years exhibition in Antwerp, I can’t wait for this one!

#146

hermesmargielafw2001

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The_Row_010_1366

Margiela for Hermès AW2001

Céline Pre Fall 2017

Unconditional Magazine SS2017

The Row SS2015

Margiela the Hermès Years – exhibition left me longing for straight and strapless necklines. As refreshing as it was to visit an exhibition where no photos were allowed, I would have loved to share details from some of my favourite looks, such as a strapless wool jumpsuit from AW2001 collection.

This shape can look easily tacky, but combined with long and volumous bottom makes it interesting and in a right way akward.