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The Row fall/winter 2018

me / aventurine, quartz, tourmaline

Giorgio di Chirico – The Double Dream of Spring, 1915

Hermès fall/winter 1998

Le Corbusier – Bronze Maquette for ‘Open Hand’ Sculpture, 1960

In Paris we are once again in lockdown, which doesn’t raise the hopes for this pandemic being over soon. However, I’ll try to use this period again to be more creative, something I’ve been missing a lot in my daily life. And I think this is a great moment to open up my mental landscape a bit.

Right before the first quarantine a friend of mine gave me a clear crystal to support my meditation, and most importantly to find the meditative mindset at any moment during the day, which got me researching more about lithotherapy. I’m not yet able to express my thoughts about it, but I definitely catch myself being around the subject quite often. There’s something similar on how I perceive crystals and the way I look at art; I try to understand everything in the rational level but then at the end it’s up to us to give meanings to what we see and what we experience. I don’t know if it makes sense, maybe I’ll get to the subject later. Anyway, anything that can help us to regain focus, and achieve a mentally clear and emotionally calm state is something to hold on to during these weird times.

And I must take my words back when I said fashion doesn’t inspire me anymore. It does, I just got too numb constantly looking at all the beige instagram accounts, all looking the same. I got my hands on some vintage Le Monde d’Hermès magazines from Margiela era – my favorite collections in fashion that ever exist – and while going through them I constantly got goosebumps. The coats he designed for Hermès are one of the reason why I ended up founding MIES. The magazines will be online soon, if I’m ever able to let go of them – the most difficult part of sourcing vintage, but I’ll surely share some of my favorite pages here.

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Not only that autumn is my favorite season weather wise, but also every September takes place my most anticipated weekend of the year; the European Heritage Days (Les Journées du Patrimoine). During these two- or three days most of the monuments, government buildings and cultural sites, even the ones that are usually closed for public, open their doors for free visits.

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This time I went to visit the Préfecture des Hauts-de-Seine in Nanterre, which sounds nothing but boring for anyone who lives in Paris. But what an overly 70’s, gorgeous design- and art heaven it was behind closed doors. I especially loved the LC1 chairs by Le Corbusier and Charlotte Perriand, which were everywhere down the halls and conference rooms.

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Finally I took some time off to visit Villa Savoye near Paris in Poissy. It is a house Le Corbusier designed for the Savoye family in the 30’s and one of the most significant buildings in the modern architecture.

I visited on a weekday and was lucky enough to discover the house all by myself. On a sunny day the sun rays were flooding in and revealed the gorgeous shapes and details. My favorite part of the house is the round entrance with windows from ground to ceiling. I just wished there were some furniture, as everyone knows I’m a huge fan of Le Corbusier’s chairs!Näyttökuva 2019-2-25 kello 10.45.59IMG_8115

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Ann Demeulemeester in her studio in 1999 / source unknown

Céline floor / me

My latest 6 pictures of the month are now live at Flounce.fi. Briefly, I’m currently very busy – in a good way –  at different work projects and I love the drive and energy I’m having. It happens every year this time and I’m making the most of it. However in the few moments I’m lacking inspiration, the above picture of Ann Demeulemeester in her studio designed by Le Corbusier always motivates me and gets me to work mood. I’m always inspired by people’s enthusiasm and focus on what they do. There’s nothing more powerful than believing in oneself.

 

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When I visited the studio apartment of Le Corbusier, I stopped by also at Maison La Roche, a house designed by Le Corbusier located in the 16th arrondissement of Paris. I’m very into the old LC2 Armchairs that are soft and a bit “exploded”. Also as I maybe already mentioned, there’s something very inspiring on how Le Corbusier used and mixed colors.

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The studio apartment of Le Corbusier in Paris was closed for couple of years due to restoration works and was opened for the public again this summer. I finally had time to go for a tour and it was definitely a perfect timing since I’ve been very into Le Corbusier’s work lately, especially his way of using colors.

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Chair by Pierre Jeanneret

If you are a fan of architects like Jean Prouvé, Le Corbusier and Pierre Jeanneret, when visiting Paris you should pay a visit for Galerie Patrick Seguin in Bastille. Not only the gallery space designed by Jean Nouvel is gorgeus, but also every piece of furniture they have on display.

Galerie Patrick Seguin, 5 rue des Taillandiers, 75011 Paris

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Modern architecture is not the first thing that comes in mind when thinking about Paris and it’s Haussmann buildings. However, there are couple of gems worth visiting.

Maison Louis Carré, designed by Finnish Alvar Aalto is located 45 minutes outside of Paris and open for visitors every weekend. French art dealer Louis Carré was first considering Le Corbusier to design his new home but was not so convinced by his “colder” style such as use of beton.

Maison La Roche, designed by Le Corbusier and Pierre Jeanneret is located in the 16th arrondissement of Paris. It was designed for a Swiss banker and art collector Raoul La Roche.

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