#429

The Row fall/winter 2018

me / aventurine, quartz, tourmaline

Giorgio di Chirico – The Double Dream of Spring, 1915

Hermès fall/winter 1998

Le Corbusier – Bronze Maquette for ‘Open Hand’ Sculpture, 1960

In Paris we are once again in lockdown, which doesn’t raise the hopes for this pandemic being over soon. However, I’ll try to use this period again to be more creative, something I’ve been missing a lot in my daily life. And I think this is a great moment to open up my mental landscape a bit.

Right before the first quarantine a friend of mine gave me a clear crystal to support my meditation, and most importantly to find the meditative mindset at any moment during the day, which got me researching more about lithotherapy. I’m not yet able to express my thoughts about it, but I definitely catch myself being around the subject quite often. There’s something similar on how I perceive crystals and the way I look at art; I try to understand everything in the rational level but then at the end it’s up to us to give meanings to what we see and what we experience. I don’t know if it makes sense, maybe I’ll get to the subject later. Anyway, anything that can help us to regain focus, and achieve a mentally clear and emotionally calm state is something to hold on to during these weird times.

And I must take my words back when I said fashion doesn’t inspire me anymore. It does, I just got too numb constantly looking at all the beige instagram accounts, all looking the same. I got my hands on some vintage Le Monde d’Hermès magazines from Margiela era – my favorite collections in fashion that ever exist – and while going through them I constantly got goosebumps. The coats he designed for Hermès are one of the reason why I ended up founding MIES. The magazines will be online soon, if I’m ever able to let go of them – the most difficult part of sourcing vintage, but I’ll surely share some of my favorite pages here.

#403

Näyttökuva 2019-7-14 kello 21.46.41

@marigiudicelli

Mary Kate Olsen

I was never really into Hermès bags, until lately I noticed I’ve been unconsciously saving more and more pictures of Kelly bags. However if I ever decided to invest in one, I would prefer it to be very very worn and patinated. I think age adds charisma to this bag, the new ones tend to look a bit ridiculous.

#213

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Christian Dior – Couturier du Rêve exhibition

It is starting to become a trend for fashion brands to host exhibitions, as it is an easy way to communicate about the history and identity of the brand. Just to mention a few; Chloé hosted a Guy Bourdin exhibition in their newly renovated Maison Chloé, Hermès dedicated an exhibition for Leila Menchari‘s window displays, Louis Vuitton’s Voulez, Vogues, Voyages exhibition is currently showing in New York and YSL opened not one, but two museums; one in Paris and one in Marrakesh.

Unfortunately most of the exhibitions have been sadly simple, badly curated and very obviously commercial, as advertising often tends to be. When a product is still in the store, it doesn’t belong to museum.

I want to post only things that I support and I can recommend, which is why I post this picture only now when the Dior exhibition has finished; it was exceptionally bad. Poor John Galliano and his legacy was buried under Maria Grazia Chiuri’s feminism t-shirts.

#146

hermesmargielafw2001

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Margiela for Hermès AW2001

Céline Pre Fall 2017

Unconditional Magazine SS2017

The Row SS2015

Margiela the Hermès Years – exhibition left me longing for straight and strapless necklines. As refreshing as it was to visit an exhibition where no photos were allowed, I would have loved to share details from some of my favourite looks, such as a strapless wool jumpsuit from AW2001 collection.

This shape can look easily tacky, but combined with long and volumous bottom makes it interesting and in a right way akward.