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Näyttökuva 2019-7-14 kello 21.46.41

@marigiudicelli

Mary Kate Olsen

I was never really into Hermès bags, until lately I noticed I’ve been unconsciously saving more and more pictures of Kelly bags. However if I ever decided to invest in one, I would prefer it to be very very worn and patinated. I think age adds charisma to this bag, the new ones tend to look a bit ridiculous.

#213

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Christian Dior – Couturier du Rêve exhibition

It is starting to become a trend for fashion brands to host exhibitions, as it is an easy way to communicate about the history and identity of the brand. Just to mention a few; Chloé hosted a Guy Bourdin exhibition in their newly renovated Maison Chloé, Hermès dedicated an exhibition for Leila Menchari‘s window displays, Louis Vuitton’s Voulez, Vogues, Voyages exhibition is currently showing in New York and YSL opened not one, but two museums; one in Paris and one in Marrakesh.

Unfortunately most of the exhibitions have been sadly simple, badly curated and very obviously commercial, as advertising often tends to be. When a product is still in the store, it doesn’t belong to museum.

I want to post only things that I support and I can recommend, which is why I post this picture only now when the Dior exhibition has finished; it was exceptionally bad. Poor John Galliano and his legacy was buried under Maria Grazia Chiuri’s feminism t-shirts.

#146

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Margiela for Hermès AW2001

Céline Pre Fall 2017

Unconditional Magazine SS2017

The Row SS2015

Margiela the Hermès Years – exhibition left me longing for straight and strapless necklines. As refreshing as it was to visit an exhibition where no photos were allowed, I would have loved to share details from some of my favourite looks, such as a strapless wool jumpsuit from AW2001 collection.

This shape can look easily tacky, but combined with long and volumous bottom makes it interesting and in a right way akward.