I really enjoy visiting exhibitions that make me think, research and learn, but during the busy periods of life those can be quite overwhelming and you just crave for something aesthetically beautiful. Just like a Barbara Hepworth exhibition at Musée Rodin. It is a perfectly small, but well curated collection of her most important pieces to describe her life and works. Or I guess at least, to be honest I didn’t really study why those exact pieces were chosen, I only let my eyes wonder in the beautiful sculptures and emptied my mind. Maybe I’ll go back later with more curiosity, but for the moment it was exactly what I needed.
FIAC is always one of the highlights of my year. I love discovering all my favorite galleries from around the world, all gathered in Grand Palais for a weekend showing their best art pieces. During the event there are also many pieces exhibited around Paris with the concept of #FIAChorslesmurs – FIAC outside the walls – for which the selection this year was particularly great! Unfortunately I didn’t manage to see Yayoi Kusama’s Pumpkin at Place Vendôme as it had to be taken down due to strong wind, however I was extremely excited to visit Jean Prouvé’s demountable houses at Place de la Concorde exhibited by Galerie Patrick Seguin and Galerie Downtown, with all the gorgeous furniture of course.
Not only that autumn is my favorite season weather wise, but also every September takes place my most anticipated weekend of the year; the European Heritage Days (Les Journées du Patrimoine). During these two- or three days most of the monuments, government buildings and cultural sites, even the ones that are usually closed for public, open their doors for free visits.
This time I went to visit the Préfecture des Hauts-de-Seine in Nanterre, which sounds nothing but boring for anyone who lives in Paris. But what an overly 70’s, gorgeous design- and art heaven it was behind closed doors. I especially loved the LC1 chairs by Le Corbusier and Charlotte Perriand, which were everywhere down the halls and conference rooms.
The Row finally opened their third physical store, and the first one in Europe! I can’t wait for the day they’ll open a store in Paris, I guess it’s just a question of finding the right real estate. Meanwhile I hope to be able to visit London soon, as the store with all its art and design is definitely something not to miss, including the welcoming light installation Elliptical Glass (2017) by James Turrell.
You can read more about the store with an interview of the twins at the Financial Times.
The Row/The Financial Times
Céline ink blue wool and cashmere coat from the first selection of Mies shot at Pompidou by my dear friend Diellza Dobroshi.
Alaïa Haute Couture SS2003
Givenchy Haute Couture SS2001 by Alexander McQueen
Once again Palais Galliera succeeded to put together a great exhibition, this time in collaboration with Musée Bourdelle. The expo is called Back Side – Fashion from Behind, and Alexandre Samson‘s curation of the fashion pieces mixed with Antoine Bourdelle’s sculptures is just phenomenal. It’s also such an important subject in the era where we are consuming fashion mainly through a flat, 2-dimensional screen and shot from the front. The exhibition is running until 17th of November.
Fundació Joan Miró
This hidden museum was an absolute favorite in Barcelona. Not only I adore the works of Miró, but the huge modern building and calm courtyard terrace got us to stay here for hours.
There is a small, but very intriguing Ellsworth Kelly -exhibition ongoing at Centre Pompidou definitely worth visiting. It gathers for the first time all Kelly’s window studies together along with photography, which brings so much depth into his works.
Galerie Patrick Seguin
The Row AW2019 / voguerunway.com
Alexander Calder at the Picasso Museum
Gemma Ward shot by Alexandra Nataf and styled by Ilona Hamer for Unconditional Magazine 7
I’ve tried to build a spring moodboard for couple of weeks now, but I’ve felt so disconnected with my thoughts lately. In a good way I mean. I’ve constantly had new ideas for projects I want to start and things I want to create, into the extent that I wasn’t sure anymore where to focus on.
To get my mind together, I took a day off just to visit some of my favorite places in Paris; Galerie Patrick Seguin and the Picasso Museum (The Calder-Picasso -exhibition I wrote about earlier). Over the years I’ve understood the importance of aesthetically satisfying environment to my creativity. I can’t stand mess and clutter, and whenever I feel disconnected, I need to get myself to an environment that calms me.
The same goes for clothes. I might wear the same outfit for a week and I don’t mind. I like to dress up from time to time end get creative with my wardrobe, where I love every single piece I have, but I’m intrigued by the idea of not to start my mornings with a decision of what to wear. Only depending on the weather I might change from all black to all white. Or something in between.
On a side note, do you also think those The Row shoes are a definition of freedom?
SSAW SS19 / Lara Mullen photographed by Chloé le Drezen, styled by Roxane Danset.
I love this photo with my favorite dress from the Marni SS19 runway collection, that will soon hit the stores. Actually the whole Marni -editorial in the SSAW magazine was absolutely stunning and literally brings out the artistic point of view of the brand. There was also an interesting interview with Francesco Risso, where he discusses about his time at Marni so far, the collaborations he does with artists and his ideas for the future.