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Not only that autumn is my favorite season weather wise, but also every September takes place my most anticipated weekend of the year; the European Heritage Days (Les Journées du Patrimoine). During these two- or three days most of the monuments, government buildings and cultural sites, even the ones that are usually closed for public, open their doors for free visits.

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This time I went to visit the Préfecture des Hauts-de-Seine in Nanterre, which sounds nothing but boring for anyone who lives in Paris. But what an overly 70’s, gorgeous design- and art heaven it was behind closed doors. I especially loved the LC1 chairs by Le Corbusier and Charlotte Perriand, which were everywhere down the halls and conference rooms.

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@therow

The Row finally opened their third physical store, and the first one in Europe! I can’t wait for the day they’ll open a store in Paris, I guess it’s just a question of finding the right real estate. Meanwhile I hope to be able to visit London soon, as the store with all its art and design is definitely something not to miss, including the welcoming light installation Elliptical Glass (2017) by James Turrell.

You can read more about the store with an interview of the twins at the Financial Times.

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The Row/The Financial Times

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Alaïa Haute Couture SS2003

Givenchy Haute Couture SS2001 by Alexander McQueen

Once again Palais Galliera succeeded to put together a great exhibition, this time in collaboration with Musée Bourdelle. The expo is called Back Side – Fashion from Behind, and Alexandre Samson‘s curation of the fashion pieces mixed with Antoine Bourdelle’s sculptures is just phenomenal. It’s also such an important subject in the era where we are consuming fashion mainly through a flat, 2-dimensional screen and shot from the front. The exhibition is running until 17th of November.

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There is a small, but very intriguing Ellsworth Kelly -exhibition ongoing at Centre Pompidou definitely worth visiting. It gathers for the first time all Kelly’s window studies together along with photography, which brings so much depth into his works.

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Galerie Patrick Seguin

The Row AW2019 / voguerunway.com

Alexander Calder at the Picasso Museum

Gemma Ward shot by Alexandra Nataf and styled by Ilona Hamer for Unconditional Magazine 7

I’ve tried to build a spring moodboard for couple of weeks now, but I’ve felt so disconnected with my thoughts lately. In a good way I mean. I’ve constantly had new ideas for projects I want to start and things I want to create, into the extent that I wasn’t sure anymore where to focus on.

To get my mind together, I took a day off just to visit some of my favorite places in Paris; Galerie Patrick Seguin and the Picasso Museum (The Calder-Picasso -exhibition I wrote about earlier). Over the years I’ve understood the importance of aesthetically satisfying environment to my creativity. I can’t stand mess and clutter, and whenever I feel disconnected, I need to get myself to an environment that calms me.

The same goes for clothes. I might wear the same outfit for a week and I don’t mind. I like to dress up from time to time end get creative with my wardrobe, where I love every single piece I have, but I’m intrigued by the idea of not to start my mornings with a decision of what to wear. Only depending on the weather I might change from all black to all white. Or something in between.

On a side note, do you also think those The Row shoes are a definition of freedom?

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SSAW SS19 / Lara Mullen photographed by Chloé le Drezen, styled by Roxane Danset.

I love this photo with my favorite dress from the Marni SS19 runway collection, that will soon hit the stores. Actually the whole Marni -editorial in the SSAW magazine was absolutely stunning and literally brings out the artistic point of view of the brand. There was also an interesting interview with Francesco Risso, where he discusses about his time at Marni so far, the collaborations he does with artists and his ideas for the future.

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After a quiet period, there are finally some interesting exhibitions and events happening in Paris. I heard about the Calder-Picasso exhibition about a year ago and I’ve been waiting for it ever since, so obviously I went to visit the opening day. It was perfect.

I can’t say I know that much about art, but can definitely tell if an exhibition is well organized or not. I get easily bored with too much text to read or too many videos to watch, and very often the curation just feels weird and makes it hard to stay focused. But in the Calder-Picasso one, I could have stayed for hours. The Picasso museum itself is such a beautiful building, and the placement of each Calder piece was extremely well thought to fit in, how it brings out the details of the ceiling and how the natural light hits them. And most importantly, I loved how they matched the artwork from Picasso and Calder together.

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I’m sure anyone who’s been following me knows how much I’m into good old print media and hunting rare pieces of fashion magazines. I might have mentioned this before but my go-to place for second-hand magazines and fashion- and art books is definitely Comptoir de l’Image in Le Marais. The grumpy (but very lovely) old french man owning the store has been collecting the pieces for over 40 years and knows quite impressive people within the industry. He’s not very eager to share his stories and might be even a bit offended if you decide to buy one of his treasures, but from time to time he gets in the mood to share his incredible memories.